Aguirre, Wrath of God (1972) • • • • • Welcome to the jungle – vast, savage, and clamorous with the din of life continuing its primeval cycle, far from the orderliness of civilisation. Since the silent era, when filmmakers took their cameras around the globe to record for the first time far-flung places in motion for the benefit of science, knowledge and spectacle, this last stronghold of prehistory has provided an alluringly exotic setting for film adventures, an endless fount of jeopardy, colour and mystery. In the 1930s, Hollywood furnished the world with colonial-era fantasies, full of pith-helmeted explorers making their way through soundstage wonderlands of dappled light, pendular vines and menacing menageries. Crocodiles, toucans, elephants and tigers shared space with Tarzan, King Kong, dubiously portrayed ‘savages’ and a creeping morass of vegetation. All jungles have their ghosts, and if memories of Tarzan and Kong still haunt the cinematic jungle, then Don Lope de Aguirre is there too – forever heading upriver on his beleaguered raft, his head crazed with fever and greedy dreams. In Werner Herzog’s classic (1972), Aguirre (played by Herzog regular, ) is the Spanish conquistador leading a 16th-century expedition into the Amazon basin in search of El Dorado, the fabled lost city of gold.

A tale of human folly and megalomania in the wilderness, at once surreal and documentary-like, Aguirre, Wrath of God was the first of many films that Herzog has made in the jungle – a terrain that fascinates him. “[Klaus] Kinski always says it’s full of erotic elements,” the director once said. “I don’t see it so much erotic. I see it more full of obscenity. Nature here is vile and base. I wouldn’t see anything erotical here.

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I would see fornication and asphyxiation and choking and fighting for survival and growing and just rotting away.” 10 to try Each of the recommendations included here is in the UK. From Tarzan via Herzog to the films of Thai auteur, exploring cinema in the jungle is an expedition well worth making: you only need a few milestones to mark the way. Dim the lights, imagine the deafening drone of insects, and lay back in your hammock for 10 great films set in the jungle. King Kong (1933) Directors Merian C. Cooper and Ernest B.

King Kong (1933) Hauling their cameras around the plains, mountains and jungles of Asia, and made two early examples of the ethnographic documentary, (1925) and (1927), combining observational footage with elaborately dramatised spectacle. By the 1930s, they’d given up their tenuous claims on science to concentrate purely on entertainment, collaborating in 1932 on The Most Dangerous Game, a thriller in which a big-game hunter becomes human prey on a jungly island in the Caribbean. Then, in 1933, they created a sensation with a movie about a film crew – not unlike their own outfit – travelling to tropical Skull Island to track down a legendary giant ape. Following the sound of bone-chilling roars above the jungle canopy, ’s first appearance out from the trees is one of the great entrances in cinema history. Created by stop-motion animator, who’d had a dry-run for the film’s dinosaur fights in the 1925 version of, Kong remains – 80 years later – the cinematic jungle’s most famous denizen. Tarzan and His Mate (1934) Director Cedric Gibbons. The Jungle Book (1967) Rudyard Kipling’s Jungle Book stories have been filmed more faithfully in producer ’s 1942, featuring child star Sabu as the man-cub Mowgli, and in 1994 when Jason Scott Lee played him, but Walt Disney’s 1967 version, vibrantly animated and syncopated to a hepcat soundtrack of original songs (‘The Bare Necessities’, ‘I Wanna Be like You’) by the Sherman brothers, is perhaps the best loved.

The last Disney production overseen by Walt himself before his death, The Jungle Book reimagines ’s famous characters in delightful cartoon form: young Mowgli, the orphan raised by wolves; Baloo the bear, who mentors him in the laidback joys of jungle life; Bagheera the panther, Mowgli’s moral guardian; the dastardly tiger Shere Khan (voiced with supercilious relish by ); and Kaa, the lisping python with the treacherous, hypnotising stare. The rainforests of central India are vividly reproduced in the hand-painted backgrounds, creating an illusion of depth of field with a dense world of vines, fronds and hanging fruit. • Apocalypse Now (1979) Director Francis Ford Coppola. Apocalypse Now (1979) War in the jungles of south-east Asia has provided the topic for many classic tales of endurance, from ’s (1951) and (1962) to David Lean’s (1957). But ’s magnum opus is the jungle warfare film to end them all. Transplanting the story of ’s novella Heart of Darkness from the Congo to the humid rainforests of Vietnam, it tells of an American officer, Captain Willard (), sent upriver in search of the renegade Colonel Kurtz (), who has apparently gone insane with power amid the carnage of war. Filled with hallucinatory visuals, Coppola’s film turns the Vietnamese jungle into a hellish playground of the senses – the river inked with blood and petrol, the sky alive with flares and fire.